One of the items that will be appearing in the Indian Papers Collection is a copy of Thomas Commuck’s Indian Melodies that Yale’s Beinecke Rare Book and Manuscript Library owns. Published in 1845, the work is possibly the earliest musical publication by a Native American composer.
Commuck was a Narragansett from Charlestown, Rhode Island, who joined the Brothertown community in New York and then removed with his Eastern Pequot wife to Green Bay, Wisconsin, where he became the tribe’s postmaster, justice of the peace, and historian. In 1844, the Wisconsin Whig Party had nominated him as their candidate for the Territory’s House of Representatives.
Since Commuck’s hymn book consists of pages of shape note music, it presented a question for the Editors as how to annotate it properly. Our inclination was to have the music sung so people (especially the non-musically inclined who can’t read music) could hear what Commuck’s audiences would have heard.
To accomplish this task, a number of students from Yale’s Divinity School and Institute of Sacred Music, together with members of the Shape Note community have joined us in an endeavor to perform and record a number of Commuck’s melodies to be attached to the photographic images on our web platform, as well as to provide scholarly music and historical comment
YIPP’s ethical and professional practice is to ask permission of the relevant communities before such initiatives are begun and offer participation in the endeavor. Since Commuck was a member of the Wisconsin Brothertown community, we reached out to the Brothertown Tribal Council and Cultural Committee, who responded very positively.
In a series of emails, phone conversations, and teleconferencing, a team composed of Indian Papers Project Editors, students, tribal community representatives, and Shape Note community scholars arranged for a Singing and Sharing of Thomas Commuck’s Indian Melodies.
On Saturday, February 3, 2018, at Connecticut Hall on Yale’s Old Campus, songs from Indian Melodies were interwoven with reflections on the history of the Brothertown Indian Nation and the social, musical and historical context of Commuck’s music. The singing was recorded and the day’s events documented. Copies of the recordings and documents will be made available at the Brothertown Indian Nation archives and the Yale Indian Papers Project.
In the meantime, please take a moment to watch a video created by Yale Divinity School Graduate Student, Seth Wenger, who is doing his Masters Thesis on the Commuck Indian Melodies Initiative.